CREATIVE PROCESS
COLOR STORIES, FABRIC STORIES & CODES OF CONDUCT. A STEP-BY-STEP PLAN INTO OUR COLLECTION.
Moodboard
DISSECTING THE FILM PROCESS NOTICING THE STREAMLINE OF OUR COLLECTION UNFOLD.
Volumes & Codes
Product Types
APRONS, UTILITY BELTS, GLOVES, TRENCH COAT, RAIN COAT, WORKWEAR JACKETS, CARPENTER PANTS, JUMPSUITS, WIDE CAPRI PANTS, SHEER / KNIT TOPS & SHIRTS.
CUT-OUTS, 90'S SHOULDERS, UTILITY POCKETS, UTILITY BELTS, METAL SNAPS, BUTTONS, BUCKLES, CROSS-OVERS, HEAVY/SOFT CONTRAST, DOUBLE-EXPOSURE LAYERING, PRINTS AND EMBROIDERY.
Sketching
EXTINSIVE THOUGHT AND CARE WAS PUT INTO THIS STEP OF PROCESS; EACH GARMENT DRAWING WAS HAND-SELECTED THUS MAINTAINING A COHESIVE COLLECTION. THE CLASS WAS SECTIONED OFF TO DESIGN WITH ALIGNMENT TO THE MINI THEMES.
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LAYERS
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CAPTURING
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TRANSFORMATION
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STRIPPED
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FINAL IMAGE
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Mini Themes:
Fabric Development
1.USING PRINTING METHODS THAT REFLECT THE SAME ARTISITIC PROCESS OF DARK ROOM PHOTO DEVELOPMENT – THERE IS A DETACHMENT BETWEEN THE ARTIST AND THE OUTCOME AT THE END – THE RESULT IS A SURPRISE
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2.USING PHOTOS AS A DIRECT HOMAGE TO THE COLLECTION THEME AND REPRESENT THE THEME OF NOSTALGIA
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3.USING PRINTING AS A WAY OF CREATING LAYERING THROUGH MATERIALITY AND PRINT
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4.IDEA OF REPAIRING AND PIECING TOGETHER TEXTILES
5.TRYING TO CREATE OUR OWN “SHEER”, “LIGHT”, “DELICATE”, FABRIC
Fabric Manipulations:
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SOLVENT IMAGE TRANSFER
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MONOPRINTING
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CYANOTYPE PRINTING(blueprints)
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DECONSTRUCING TO RECONSTRUCT
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FABRIC MANIPULATING VIA HEAT
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NEEDLE FELTING
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